5/29/2023 0 Comments Echoes of silence vinyl![]() Once your return is received and inspected, we will send you an email to notify you that we have received your returned item. To complete your return, we require a receipt or proof of purchase. Any returns or exchanges are also offered in-store at 215 Spadina Ave., Toronto. In any case of a non-defective return, shipping costs will be covered in full by the customer. If you wish to return an item that is not defective, it must still be factory sealed and in its original condition. Secondary copies sent out will be opened and inspected before being re-shipped to guarantee a non defective replacement. It must also be in the original packaging. To be eligible for a return, your item must be unused and in the same condition that you received it. If 30 days have gone by since your purchase, unfortunately we can’t offer you a refund or exchange. The immense gravity of a work like “The Clandestine Gate”, which features exclusive stunning cover art by Jordi Diaz Alama, allows ideas to simmer in a way that feels profoundly and somatically intuitive - not just a philosophical exercise, but an embodied truth.Our policy lasts 30 days. By slowing down both their creative process and the tempo of the music itself, Bell Witch digs even deeper into their long-standing focus: the way life spills on inside its minuscule container, both eternal and fleeting, a chord that echoes without resolution. The immense gravity of a work like “The Clandestine Gate”, which features exclusive stunning cover art by Jordi Diaz Alama, allows ideas to simmer in a way that feels profoundly and somatically intuitive - not just a philosophical exercise, but an embodied truth. On “The Clandestine Gate”, Bell Witch's twinned voices build off of the chantlike textures of previous records while steering toward more developed melodic lines, structured harmonies, and rhythmic death metal growls. The band reunited with their longtime producer Billy Anderson as they began negotiating these new compositional weights. While traces of organ and synthesizer hovered over “Mirror Reaper” and Bell Witch's 2020 collaboration with Aerial Ruin, “Stygian Bough Volume 1”, “The Clandestine Gate” drew those instruments closer to the center of its compositions. It constitutes the first chapter in a planned triptych of longform albums, collectively called “Future's Shadow.” Like 2017's lauded “Mirror Reaper”, “The Clandestine Gate” is a single 83-minute track - a composition that pulses and breathes on a filmic timeframe. Prophecy Productionsįor their new album, bassist/vocalist Dylan Desmond and drummer/vocalist Jesse Shreibman exploded Bell Witch's bounds. ![]() "Monuments to Absence" marks FEN's welcome return to a dark and fierce sound. With each following full-length, from "Epoch" (2011), via "Dustwalker" (2012), "Carrion Skies" (2014), "Winter" (2017) to "The Dead Light" (2019), FEN have expanded both their musical range and following, while also perfecting their recognisable and unmistakable sound. When FEN released their debut full-length "The Malediction Fields" (2009), the band made good on the huge promise of their previous EP "Ancient Sorrow" (2007) by delivering a first album that already combined the black metal tradition elegantly with a dedicated atmospheric twist and gentle experimentation beyond the perceived narrow confines of their genre. These desolate and bleak landscapes have left a deep mark in the post-black metal sound, which the band pioneered in the UK when the English scene revitalised in the wake of forerunners FOREFATHER with bands such as FEN, WINTERFYLLETH, and WODENSTHRONE coming to the fore. FEN took their name from the Fens of East Anglia when the trio formed in 2006. This is reflected in the decidedly harsh and black sound of "Monuments to Absence", which is undoubtedly FEN's most extreme recording to date, even though there are still moments of atmospheric glory, spatial clean sections, heaving doom, and full-blown riffs, which augment the furious expression of rage. FEN describe the album as an expression of anger, hopelessness and despair – anger at the desperate futility of a human species hell-bent on self-destruction. For the first time in their career, the East Anglian post-black metal trio has used the colour red on the cover artwork of their seventh full-length "Monuments to Absence". The colour of every FEN album points towards its lyrical and musical content. ![]()
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